|
''The Arcadians'' is an Edwardian musical comedy styled a "Fantastic Musical Play" in three acts with a book by Mark Ambient and Alexander M. Thompson, lyrics by Arthur Wimperis, and music by Lionel Monckton and Howard Talbot. The story concerns some idyllic Arcadians who wish to transform wicked London to a land of truth and simplicity. First produced by Robert Courtneidge, the musical opened at the Shaftesbury Theatre in London, on 29 April 1909, and ran for 809 performances. This was the third longest run for any musical theatre piece up to that time. The production starred Phyllis Dare, Dan Rolyat and Florence Smithson. A Broadway production opened in 1910 and ran for 193 performances, and the piece was toured extensively, and revived professionally, in Britain. A silent film version was made in 1927, and the piece was popular with amateur theatre groups, particularly in Britain, through the 20th century. Recordings of some of the numbers were recorded in 1909 and 1915 by original members of the London cast, and more substantial excerpts and one complete performance have been released on compact disc. The work is regarded by theatre historians as the finest example of its genre, with Monckton's melodic talent supported by Talbot's technical skill. The score contains elements characteristic of the Savoy Operas of the previous generation as well as broader numbers reminiscent of the music hall. ==Background== Arcadia, a legendary land of rural perfection peopled by beautiful virtuous innocents, first described by the Ancient Greeks, was a popular setting for writers of the 19th century, notably W. S. Gilbert (in ''Happy Arcadia'' and ''Iolanthe''). The development of aviation and flying in the early years of the 20th century captivated the public's attention. Writers fantasised about the strange adventures that might befall those who ventured to travel by the new-fangled aeroplane. A forced landing, perhaps, in some long-forgotten land where time has stood still. These stories laid the basis for ''The Arcadians''.〔Green, p. 14〕 By 1909, Lionel Monckton and Howard Talbot had each had met considerable success writing songs and scores for Edwardian musical comedies. Monckton had contributed to many hit George Edwardes shows, including ''The Geisha'' and ''Our Miss Gibbs'', and written complete scores to successes like ''A Country Girl'' and ''The Cingalee''.〔("Lionel Monckton" ), ''British Musical Theatre'', The Gilbert and Sullivan Archive, 31 August 2004, retrieved 5 June 2014〕 Talbot had a monstrous hit with ''A Chinese Honeymoon'' and had written such other long-running musicals as ''The Girl from Kays''. He had worked with writer Alexander M. Thompson and producer Robert Courtneidge previously, including on ''The Blue Moon''.〔Gänzl, Kurt. ("Talbot, Howard (1865–1928)", ) ''Oxford Dictionary of National Biography'', Oxford University Press, 2004, accessed 18 Sept 2008, 〕 Historically, musically and dramatically, ''The Arcadians'' and the other Edwardian musical comedies sit between the fading world of British comic opera, like the Gilbert and Sullivan works, and the later styles of musical comedy and music hall. ''The Arcadians'' particularly illustrates this, with the innocent Arcadians representing the older style, and the brash Londoners embodying the new. This contrast between simplicity and cynicism drive the plot and its humour, a contrast personified in the character of Smith, who is magically transformed during the piece.〔Charlton, Fraser. ("What are EdMusComs?" ), Newcastle University, retrieved 5 June 2014〕 In 1999, Raymond McCall observed that theatre historians have variously referred to the work as an operetta or a musical comedy, commenting: 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The Arcadians (musical)」の詳細全文を読む スポンサード リンク
|